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Benjamin Grosvenor, Piano Photo
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Benjamin Grosvenor, Piano

Thursday, November 9, 2017, 8:00 PM Pre-concert Talk by Ruth Ochs at 7pm, free to ticketholders Richardson Auditorium in Alexander Hall

Ticket Info

This concert is available as part of the Concert Classics Series susbscription.  Buy 3 or more events and Make Your Own series to save 10% off single tickets prices. Single tickets are now on sale by clicking the link below or by calling the Box Office at 609-258-9220.

SINGLE TICKETS:  $50, $40, $25 General; $10 for students with valid ID

Program

BACH French Suite No. 5 in G Major, BWV 816
BRAHMS 4 Klavierstücke, Op. 119
BRETT DEAN Hommage à Brahms
DEBUSSY Prélude à l’après-midi d’un faune (arr. Leonard Borwick/George Copeland)
BERG Piano Sonata, Op. 1
RAVEL Gaspard de la nuit

About the Artist

Just past his 24th birthday, Benjamin Grosvenor is quickly becoming one of the world’s most decorated young pianists. When he signed to Decca Records in 2011, he became the youngest British musician ever to do so, and since then he has appeared with dozens of major orchestras on five continents. The New York Times writes, “He commands the stage with aristocratic ease … Mr. Grosvenor makes you sigh with joy … a temperament rare in yesteryear, let alone now.” His electrifying performances and understated virtuosity earned him the New York Philharmonic’s inaugural Ackman Prize last October, and there’s no question that his legacy will continue to blossom in the coming years. We’re proud to invite him to make his debut in Princeton with a program that highlights his wide expressive range and multidisciplinary musical intelligence, featuring works by Bach, Brahms, Debussy, Ravel, and Berg.

Artist Website

Benjamin Grosvenor »

Inside the Mind of a Prodigy: Benjamin Grosvenor on CNN

More videos at discover and listen »

Benjamin Grosvenor Plays Scarbo from Ravel's Gaspard de la Nuit

More audio at discover and listen »

“poetic and gently ironic, brilliant yet clear-minded, intelligent but not without humour, all translated through a beautifully clear and singing touch.”

- The Independent (London)